The 10 best Doctor Who episodes written by Russell T. Davies - wongspermild
The 10 best Doctor Who episodes written by Russell T. Davies
The best Dr. Who episodes shorthand away Russell T. Davies run the gamut from weird and wacky to measured and meaningful. With the recent news that Davies is returning to Sophisticate Who as showrunner for the 60th day of remembrance (and at to the lowest degree a flavor beyond that), there's nary sentence like the present to list his optimal episodes.
Davies was responsible for reviving the painting BBC series in 2005, and acted as showrunner until 2009, when Scottish writer Steven Moffat took over. Reviving Doctor Who in the early aughts could have been a incubus, but the recently series proved a major hit in England and over the sea, and the BBC has been churning stunned late episodes and hiring new Doctors ever since. During Davies' tenure as showrunner, the eponymous Doctor was played by Christopher Eccleston for one season and David Tennant for troika.
For posterity's sake, this listing will non include some episode that aired during Davies' tenure as Doctor Who's showrunner, but will feature ten episodes written by the man himself. While Davies certainly gave us some, er, interesting episodes (we won't discuss "Love and Monsters" therein house), so many of his Doctor Who stories are incredibly touching and memorable.
So, allonsy, and take a look on at Russell T. Davies' 10 best Doctor Who episodes (there bequeath be some spoilers).
10. "Rose"
Observation this episode now might be an odd experience considering the rather hokey special personal effects and the rapid-fervency editing, but "Blush wine" is a special one. Non lonesome because IT's the first episode of Nu-Who, merely because it shows slay exactly what Davies would bring out to the table for his entire incumbency as showrunner: relatable humor dispersed at a light-fast pace and fortunate-written (if not slightly cartoony) characters full of pathos. Disregard the weird mannikin men and Blush wine's pestiferous friends and family line, and just delight Christopher Eccleston and Billie Genus Piper putting on quite the show.
9. "The Stolen Earth"/"Journey's End"
This two-part arc comes at the end of the fourth season, and it's earn that both Tennant and Davies are nearing the end of their time with the serial. The Doc's companions from throughout the series (and one throwback from time of origin World Health Organization) are brought back into the scratch to help the Doctor bully off against the painting Daleks. He delays his impendent regeneration in order to do so, but equally the Doctor and his past companions and friends battle to save Earth, Donna Noble (Catherine Tate) accidentally creates a cloned version of him (it's hard to explicate) resulting in the Meta-Crisis Repair. There's a allot of fan military service here – the Meta-Crisis Doctor being a meridian example, as he's used to tie up a characters' ending with a pretty little bow – merely it's the good kind of fan service that you give the axe't help but smile while watching.
8. "The Christmas Invasion"
"The Christmas Day Invasion" is the first episode of David Tennant's meter every bit Physician, and he spends a good lump of it in a coma. The Doctor, having saved Rose, regenerates merely is troubled severe side effects. His TARDIS crash-lands in London where atomic number 2's taken over to sleep off the regeneration – but a state of war-crazed alien rush along called the Sycorax are threatening to kill a fractional of the population, so he necessarily to wake ascending. When helium eventually does, Tennant is given a lovely monologue as the Doctor, full of goofy confidence and latent index that only Davies could write for him.
7. "The Wakeless of Drums"
Doctor Who can be a trifle sappy. Whether it's the slushy personal effects delivered aboard very serious patch twists OR the incredibly earnest dialogue that can sometimes feel weird for the tired amongst us, Doctor Who is a very specific flavor of television. "The Safe of Drums" is a efflorescence good example of that, with the Touch on, fellow Martha Jones (Freema Agyeman) and Maitre d' Jack Harkness (John Barrowman) on the running after the British Premier Minister puts them on the just about-wanted list. The PM is really fair-and-square a puppet for the Medico's greatest nemesis, the Master (played incredibly unhinged aside John Simms), who plays a game of cat and mouse with the trio. There's some avid composition: in the conversations between Simms and Tennant, in the complex type of the Victor, and in the plot itself – even when the hokiness gets turned to 11 and Tennant dons a full fount of old-geezerhoo makeup.
6. "Ferment Leftover"
A Doctor-fatless episode that brings back a beloved companion, "Wrick Left" shows us what a Medico-little world power look look-alike. Starring Donna Blue-blooded (Catherine the Great Tate) as the Doctor's company, we picke what would have happened if the Medico hadn't saved the daytime sol many multiplication throughout account. There's some dreary stuff at play that's still eerily relevant – including a London base-nuclear blast that's full of refugee camps – showing how well Doctor Who tin can pose questions about the nature of humanity. And then there's Rose and Donna's chilly relationship, which makes for an interesting dynamic, but when we finally get a glimpse of the Doctor therein episode, Tennant unsurprisingly steals the scene. The cliffhanger will induce you, too.
5. "The USA of Ghosts"/"Doomsday"
This one still hurts. The two-way spark serves as Billie Piper's closing as the Doctor's companion, signifying a shift in both his characterization and the series as a whole. "Army of Ghosts" begins with vaguely human-shaped silhouettes appearance all over the humankind. Humanity believes they've been visited aside the ghosts of their house members – when in fact, information technology's the Cybermen forcing themselves into this universe from a parallel one. As the Doctor and Rose try to drive back this invasion, they realize the Daleks are involved likewise, and the two parallel Earths are in danger of down into a massive void. Rose refuses to leave the Doctor's side in that crusade, ultimately ending with her being trapped in the parallel of latitude universe, never to travel with him again.
Bereft, Rose follows the Doctor's disembodied phonation to Bad Skirt chaser Bay, where he appears as a hologram. The little leave-taking between the 2, the Doctor aught but a projection of himself incapable of embracing the adult female helium loves, makes for an emotional ending that leave have you in crying.
4. "Bad Skirt chaser"/"The Parting of the Ways"
A fantastic finale and farewell to Eccleston's light-lived time as the Doctor, this two-parter is pandurate yet effective. The episodes lineament the Doctor, Rose, and Captain Labourer Harness as they confront off against the Daleks yet again. They've taken over a human satellite with the goal of harvesting dead humans and turning them into Daleks. The Daleks decimate everyone in their path (including Captain Jack) and, just when you think the Doctor is next, Rose sweeps in to save him.
"Bad Wolf" brightly collects bread crumbs left behind throughout the season, while "The Parting of The Ways" gives Eccleston's Doctor a beautiful last here and now betwixt him and Rose. The two-parter offers a satisfying pay-off of previous episodes' hints and a fantastic calculate forward into the future of the series. It's a prime example of Davies' endowment arsenic both showrunner and author capable of weaving together long and short threads.
3. "The End of Prison term"
This one is a tearjerker, so prepare yourselves. "The End of Time" is a two-way episode that focuses along the MD running away from his impending death. It's also literally the stop of both Davies' and Tennant's incumbency on Doctor Who. Since the two almost single-handed defined "Nu-Who," the lead-up to this episode was an emotional one.
The Doctor butts heads all the same again with his curse, the Master, who is trying to bring back their long-wooled-deceased race of aliens, the Time Lords. The Doctor thwarts the Sea captain's plans, however, but is fatally injured. Knowing his life is about to death, helium journeys to visit his past companions, ending with Rose Tyler, ahead Tennant utters the ill-famed net words, "I Don't wanna run low." It's gut-wrenching clobber that will leave you sobbing – AKA a top-tier Davies junction.
2. Midnight
A bottle episode that could be taught in picture school, "Midnight" is the engorge of Medico Who fable. The Doctor and Donna part ways on a resort-style planet that's made of diamonds, with the Doctor setting off on a bus turn and Donna staying poolside. The bus gets stranded, however, and as the Doctor and its passengers effort and figure prohibited what's going on, a bad knock along the hull rings out. The Physician tries to keep everyone calm, and the importance of the episode becomes incredibly clear – it's the ordinal "fellow-lite" episode of the modern series, and without a human companion at his broadside, strangers don't tend to trustingness the Doctor. The claustrophobic setting and anon. entity facing the Doctor (WHO ordinarily knows anything and everything) makes for a great repulsion instalment, and Tennant shines atomic number 3 a Doctor up that is questioning, frustrated, and from time to tim, scared.
1. "The Waters of Mars"
"The Waters of Mars" is a 2009 special that's one of David Tennant's last episodes as the Medico and one of Davies' last American Samoa a showrunner. Information technology also Marks the first – and only – time the Doctor is erring to the point where they teeter on the precipice of villainousness. The Doctor lands the TARDIS along Red Planet in 2059, right by humanity's first settlement on the planet. There, helium realizes he has walked into a unmoving point in time: soon the basal will explode and kill everyone inwardly.
Canonically, fixed points in time cannot be touched or changed, no matter how tragic they may be – but this variant of the Doctor is irresolute, morally confounded, and nursing a God complex. As a result, He decides to get neck-deep. Thither are horrors on Red Planet, but they're nobelium match to watching Tennant play the Doc so tenebrious. Equal parts scary and somber, "The Amnionic fluid of Mars" is height-grade Who.
You can check out these Doctor World Health Organization episodes and more on HBO Georgia home boy .
Alyssa Mercante is an editor and features writer at GamesRadar supported stunned of Brooklyn, NY. Prior to entry the industry, she got her Masters's degree in Modern and Contemporary Literature at Newcastle University with a thesis focusing on present-day indie games. She spends most of her clock time playing competitive shooters and in-depth RPGs and was recently on a PAX Panel about the foremost bars in video games. In her spare time Alyssa rescues cats, practices her Italian, and plays soccer.
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